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Was it the same wind?

that lifted the baseball cap off my head, today, at the bluffs

overlooking the Puget Sound, as it did then, on the semi-arid

Mexican cerro?

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Optimism’s tears

A transparent droplet of nectar hangs

from the stigma of the bright yellow Pollyanna

lily, a solitary tear questioning “common knowledge”

about which of God’s creations feel pain, what it means

for plants that sense and respond to stress codes, communicate

through root systems and chemical signaling, to be cut down

before their prime, who it is they miss when they’re resplendently

dying in the clear vase on my kitchen table, what it means

when we both unfurl our velvet petals.

I spent my days waiting for the whinny of the tethered

horse, the monarch butterfly’s black and yellow stripes

resting atop purple Jacaranda petals, the ephemeral

hummingbird in the almost bare late-season Hibiscus.

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For David

Your veined hands, more alive in ghostly Carrera marble, more human

towering three times the height of your Maker, curiosity beckons

those who flock to you, their Pilgrimage of Selfies, unbelievers

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Mixed on the canvas

– After Hua Xi, Everything lies in all directions

I dab dioxazine purple, one of the bluest shades of violet, on the blank canvas.

If I left it undiluted, unchanged by human hand, it would pass for deep black,

its own self, or a metaphor of color, potential, vibrance. I am one who adulterates,

alters pigmentation with cyan, cadmium, ivory; blends, feathers, shades with finger,

brush, breath, seeking a reflection of self, or the metaphor of self, life in all directions.

My paint swirls, builds, layers and arcs, approaches the edges. No canvas infinite,

each delimits what we create. I was the bluest shade, once a child, then my mother was.

Beyond this easel, life continues forward and back, blossom to bud to seed.

Can you see how the purple lupine, of our late summer hikes, has transformed

into the winged creature on the horizon, about to take flight?

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